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Casting ODIE, Part Three: Sixteen Actors and a City
The day players of ODIE, sixteen actors with one day each and no room to miss, plus the casting decision we are proudest of: Austinites who have lived homelessness, on set as paid background artists.
Claudia Wingle
May 142 min read
Casting ODIE, Part Two: The People Odie Meets Along the Way
ODIE's supporting cast: Edwina Thompson, Syd Goin, Mirtha Martinez, Mathew Mitchell, and Daniel Freeberg. Five actors who turn a one-day odyssey across Austin into a world.
Claudia Wingle
May 112 min read
Casting ODIE, Part One: The Man With the Cart
Dean Stanfield leads ODIE as Owen 'Odie' Harper, a grieving Austin handyman with 294 days on the street and one curfew between him and a bed. Meet the actors at the center of the film.
Claudia Wingle
May 82 min read


New Cast Additions, Syd Goin as Blu, more...
We’re excited to officially welcome several new cast members to ODIE as the film continues to come together here in Austin. Each of these performers brings something distinct to the project, and we’re grateful to have them joining the production. Leading this round of cast announcements is Syd Goin, who joins ODIE as Blu. A gifted stand-up comedian and a sharp sketch and improv performer, Syd has trained at Upright Citizens Brigade in New York and also studied at The Hideout,

Press Releases
Mar 262 min read


Edwina Thompson Joins Odie as Angela, With Several More Added to the Cast
Angela is not an easy part to pull off. She has lived hard, adapted hard, and learned to move through the world with a level of toughness that can read as control, self-protection, or calculation depending on the moment. She is independent in the purest sense of the word, not because life rewarded her for it, but because it left her with little choice. The role needs someone who can carry that history without flattening her into a type, and Edwina has the weight and instinct

Press Releases
Mar 222 min read


Dean Allen Stanfield Joins Odie in the Lead Role
Casting the title role in Odie was always going to matter. This is a film that depends on the humanity of its central performance. The story asks an audience to stay close to one man’s experience, to walk beside him through exhaustion, isolation, quiet absurdity, and the stubborn dignity required to keep moving. That kind of role cannot be carried by surface-level charm or performance tricks. It needs truth. It needs presence. It needs someone who can make a character feel li

Press Releases
Mar 222 min read
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