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Behind the Lens: What ODIE Was Shot On (and Why It Looks the Way It Looks)
Every film has a second script written in the margins of the continuity log. ODIE's is full of numbers: 35mm, 25mm, 50mm, 6K, 4K. DP Lester Platt walks through the DJI Ronin 4D, the Blazar Mantis anamorphic primes, and why the sun became the lighting department.
Claudia Wingle
2 days ago5 min read
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