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ODiE

Production Diary, Day 7: One Roll, Three Scenes

  • Claudia Wingle
  • May 26
  • 2 min read

Updated: Jul 4

Here is a statistic for the file: today fit on one camera roll. A014, start to finish. Thirty-eight takes, Scenes 31 through 33, all of it bus and transit material.

If you have read the logline, you know ODIE is a movie about a man who has to get across Austin by 9 p.m. Which means somewhere in this film there had to be a day where we shot the actual getting-across part, and today was that day. Bus stops, waiting, the geometry of a city as experienced by someone who cannot just drive it. It is unglamorous material that the whole movie leans on. If the crossing does not feel real, nothing downstream of it does.

The production detail I love: the call times moved two full hours the night before, one evening email, one new plan, and not a ripple of drama at crew park in the morning. We based out of the St. David's garage on the Trinity block downtown and worked outward from there, real streets, real transit, short hops between setups, and what would have been a brutal transportation puzzle on most shoots became a day of short moves and long takes.

Small day, sharp focus

A light-footprint day like this changes the energy on set. Fewer trucks, less gear, more waiting at real bus stops while real Austin goes by. Janessa Marcarlin, Syd Goin, Soji Brown and Dave Janjua all cycled through today's call sheet, but Dean Stanfield still spent long stretches alone in frame, doing the thing he has been doing since day one, which is playing exhaustion as accumulation rather than performance. Seven shooting days into a story that takes place in one day, his continuity is a high-wire act, and our script supervisor Melisa Balderrama Siles is the net. Her tracking of Odie's physical state, scene to scene, hour to hour of story time, is its own quiet masterpiece of the production.

Our DP Lester Platt and 1st AC Trevor Korn worked fast and small. Our sound team fought traffic noise all day and mostly won.

Thirty-eight takes, one roll, no drama. Tomorrow is the day I have been waiting to write about since this diary started. Tomorrow we go to Sunrise.

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